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XINGHAI LIAO

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An innovator of underglaze and high-temperature glaze fusion, Xinhai Liao blends conceptual depth with minimalist design to create porcelain that feels at once futuristic and ancient.

Born in 1987, Xinhai Liao is part of a new generation of porcelain artists reimagining the medium as a bridge between tradition and conceptual art. With a background in visual communication from Northeastern University and years of experience in fashion display for brands like BESTSELLER, GAP, and JNBY, Liao brings a distinctive sense of spatial composition and contemporary aesthetics to his ceramic work.

In 2017, Liao founded his independent studio in Liling, where he began an experimental practice centered on underglaze color porcelain and high-temperature glaze techniques. His process merges technical mastery with visual minimalism—layering kiln glazes, color fields, and symbolic forms into meditative compositions. Works like Crane and Lotus Fragrance Picture, Like a Butterfly, and Can't Breathe have been recognized with awards in China’s top ceramic design competitions.

His porcelain paintings and sculptural pieces have appeared in major exhibitions from Jingdezhen’s Arab Art Festival to New York’s Crossing Art and a solo exhibition at London’s V Club titled Everything is Silent as a Mystery. Across series like Black Square and Ten Suns, Liao’s work probes time, silence, symbolism, and perception—turning porcelain into a language of quiet revelation.

Works

Towards the Future

Size: 56cm ×56cm
Firing: Reduction flame 1380℃
Material: High-white porcelain
This work is inspired by the stone carving of deer in Chinese Han Dynasty. The artist added the curling cloud pattern, swimming cloud pattern and sea wave pattern. The dense radial pattern represents the future, and the overall picture indicates traveling across the mountains and sea towards the future. In the creation of the work, a large area of high-temperature green kiln glaze is processed first, and then a small amount of colorful decoration in the sea waves and the deer parts is supplemented. The 1380 ℃ high-temperature firing also makes the kiln perfect.

The Origin of Life Vase

Height: 24cm

The King Deer with Nine Colors – Part I

Size: 52.5cm × 27cm
Firing: Reduction flame 1380℃
Material: High-white porcelain
Place of origin: Liling, China
Description: The work adopts the traditional outlining and water painting technique of underglaze coloring as the base, and fills the areas with different color glazes. Supplemented by the interspersed use of high-temperature kiln glazes, this work reinterprets the Northern Wei frescoes from Cave 257 of the Mogao Caves in Dunhuang as a modern ceramic art.

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